The Fighting Lady USS Yorktown + Battle Of Midway & USS Hornet MP4 DVD
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Edward Steichen's 1944 Academy Award Winning Documentary Chronicling The Heroic Lives And Battles Of The Crew Of The Aircraft Carrier U.S.S. Yorktown, PLUS 2 BONUS TITLES: 1) THE BATTLE OF MIDWAY, Which Won John Ford The 1943 Academy Award For Best Documentary Narrated By Henry Fonda, And 2) THE LIFE AND DEATH OF THE USS HORNET, All Presented In The Highest DVD Quality MPG Video Format Of 9.1 MBPS As An MP4 Video Download Or Archival Quality All Regions Format DVD!
Contents:
THE FIGHTING LADY (Technicolor, 1944, 1 Hour 1 Minute)
Edward Steichen's 1944 documentary chronicling the heroic lives and battles of the crew of the hero Aircraft Carrier U.S.S. Yorktown which won the Academy Award for Best Documentary Feature in 1945 and the New York Film Critics Circle Special Award in 1946.
BONUS FEATURE #1: THE BATTLE OF MIDWAY (Color, 1942, 19 Minutes)
A John Ford film, winner of the 1943 Academy Award for Best Documentary, detailing the battle that turned the tide in the war against Imperial Japan.
BONUS FEATURE #2: THE LIFE AND DEATH OF THE USS HORNET (Black/White, 1943, 11 Minutes)
The U. S. Navy produced this film which justly glorified the exploits of the great aircraft veteran of the Doolittle Raid, the Battle of Midway, the Battle of Guadalcanal, the Battle of the Solomon Islands and the Battle of Santa Cruz, a film shown only to shipyard and war plant workers as a confidential morale booster to show both how their labor was being employed in the war effort, and how the loss of the fruits of their labor to enemy action necessitated accelerated effort to make good the losses and build even more materiel to defeat the Axis.
The Fighting Lady is a 1944 documentary film (billed as a "newsdrama") directed by Edward Steichen, produced by the U.S. Navy and narrated by Lt. Robert Taylor USNR. The plot of the film revolves around the life of seamen on board an anonymous aircraft carrier. Because of war time restrictions, the name of the aircraft carrier was disguised as "the Fighting Lady", although she was later identified as USS Yorktown (CV-10). The film uses Technicolor footage shot by "gun cameras" mounted directly on aircraft guns during combat. This gives a very realistic edge to the film, while the chronological following of the ship and crew mirror the experiences of the seamen who went from green recruits through the rigours of military life, battle, and, for some, death. In his autobiography Baa Baa Black Sheep, U.S. Marine Corps ace pilot Gregory "Pappy" Boyington claims that the film briefly shows the small pit in which he and five other prisoners of war took cover during the Truk raid. Boyington had been captured by the Japanese and was being transported to a prison camp on the Truk islands when the raid began. Boyington writes that the prisoners, tied and blindfolded, were thrown from their transport plane during a hurried landing, and that one of their Japanese captors saved their lives by throwing them into the pit, where they survived without harm. According to Boyington, the film also shows a crater from a two-thousand pound bomb that landed just fifteen feet from the pit. Due to her fighting heritage, and to honor all carrier sailors and airmen, the Yorktown is on permanent display at Patriots Point in Charleston, SC. Alfred Newman's musical theme originally appeared in Vigil in the Night and was reused in Hell and High Water and in many 20th Century Fox film trailers.
The Battle Of Midway is a 1942 American short documentary film directed by John Ford. It is a montage of color footage of the Battle of Midway with voice overs of various narrators, including Johnny Governali, Donald Crisp, Henry Fonda, and Jane Darwell. When the United States Navy sent director John Ford to Midway Island in 1942, he believed that the military wanted him to make a documentary on life at a small, isolated military base, and filmed casual footage of the sailors and Marines there working and having fun. Two days before the battle, he learned that the Japanese planned to attack the base and that it was preparing to defend itself. Ford's handheld, 16mm footage of the battle was captured totally impromptu. He had been in transit on the island, roused from his bunk by the sounds of the battle, and started filming. Ford was wounded by enemy fire while filming the battle. Acclaimed as a hero when he returned home because of the footage and the minor wound, Ford decades later incorrectly claimed to Peter Bogdanovich that he was the only cameraman; however, Jack Mackenzie Jr. and Kenneth Pier assisted Ford in filming. Ford was worried that military censors would prevent the footage from being shown in public. After returning to Los Angeles, he gave the footage to Robert Parrish, who had worked with him on How Green Was My Valley, to edit in secret. Ford spliced in footage of James Roosevelt, President Franklin D. Roosevelt's son and a Marine Corps officer; when the president saw the film in the White House, he told William Leahy: "I want every mother in America to see this film", thus protecting Ford from censorship. Parrish wrote an in-depth account of the making of The Battle of Midway in his autobiography, Growing Up in Hollywood (1976). The film runs for 18 minutes, was distributed by 20th Century Fox, and was one of four winners of the inaugural, 1942 Academy Award for Best Documentary. Seeing men he had met and filmed die horrified Ford, who said, "I am really a coward" compared to those who fought. He had spent time with Torpedo Squadron 8, and 29 of 30 men of the unit died or were missing after the battle. Ford assembled the footage he had taken of the squadron into an eight-minute film, adding titles praising the squadron for having "written the most brilliant pages in the glowing history of our Naval Air Forces" and identifying each man as he appeared. He printed the result, Torpedo Squadron 8, to 8mm film suitable for home projectors and sent copies to the men's families.
USS Hornet (CV-8), the seventh U.S. Navy vessel of that name, was a Yorktown-class aircraft carrier of the United States Navy. During World War II in the Pacific Theater, she launched the Doolittle Raid on Tokyo and participated in the Battle of Midway and the Buin-Faisi-Tonolai raid. In the Solomon Islands campaign, she was involved in the capture and defense of Guadalcanal and the Battle of the Santa Cruz Islands, where she was irreparably damaged by enemy torpedo and dive bombers. Faced with an approaching Japanese surface force, Hornet was abandoned and later torpedoed and sunk by approaching Japanese destroyers. Hornet was in service for one year and six days, and was the last US fleet carrier ever sunk by enemy fire. For these actions, she was awarded four service stars and a citation for the Doolittle Raid in 1942, and her Torpedo Squadron 8 received a Presidential Unit Citation for extraordinary heroism for its performance at the Battle of Midway. Her wreck was located in late January 2019 near the Solomon Islands.
Edward Steichen's 1944 Academy Award Winning Documentary Chronicling The Heroic Lives And Battles Of The Crew Of The Aircraft Carrier U.S.S. Yorktown, PLUS 2 BONUS TITLES: 1) THE BATTLE OF MIDWAY, Which Won John Ford The 1943 Academy Award For Best Documentary Narrated By Henry Fonda, And 2) THE LIFE AND DEATH OF THE USS HORNET, All Presented In The Highest DVD Quality MPG Video Format Of 9.1 MBPS As An MP4 Video Download Or Archival Quality All Regions Format DVD!
Contents:
THE FIGHTING LADY (Technicolor, 1944, 1 Hour 1 Minute)
Edward Steichen's 1944 documentary chronicling the heroic lives and battles of the crew of the hero Aircraft Carrier U.S.S. Yorktown which won the Academy Award for Best Documentary Feature in 1945 and the New York Film Critics Circle Special Award in 1946.
BONUS FEATURE #1: THE BATTLE OF MIDWAY (Color, 1942, 19 Minutes)
A John Ford film, winner of the 1943 Academy Award for Best Documentary, detailing the battle that turned the tide in the war against Imperial Japan.
BONUS FEATURE #2: THE LIFE AND DEATH OF THE USS HORNET (Black/White, 1943, 11 Minutes)
The U. S. Navy produced this film which justly glorified the exploits of the great aircraft veteran of the Doolittle Raid, the Battle of Midway, the Battle of Guadalcanal, the Battle of the Solomon Islands and the Battle of Santa Cruz, a film shown only to shipyard and war plant workers as a confidential morale booster to show both how their labor was being employed in the war effort, and how the loss of the fruits of their labor to enemy action necessitated accelerated effort to make good the losses and build even more materiel to defeat the Axis.
The Fighting Lady is a 1944 documentary film (billed as a "newsdrama") directed by Edward Steichen, produced by the U.S. Navy and narrated by Lt. Robert Taylor USNR. The plot of the film revolves around the life of seamen on board an anonymous aircraft carrier. Because of war time restrictions, the name of the aircraft carrier was disguised as "the Fighting Lady", although she was later identified as USS Yorktown (CV-10). The film uses Technicolor footage shot by "gun cameras" mounted directly on aircraft guns during combat. This gives a very realistic edge to the film, while the chronological following of the ship and crew mirror the experiences of the seamen who went from green recruits through the rigours of military life, battle, and, for some, death. In his autobiography Baa Baa Black Sheep, U.S. Marine Corps ace pilot Gregory "Pappy" Boyington claims that the film briefly shows the small pit in which he and five other prisoners of war took cover during the Truk raid. Boyington had been captured by the Japanese and was being transported to a prison camp on the Truk islands when the raid began. Boyington writes that the prisoners, tied and blindfolded, were thrown from their transport plane during a hurried landing, and that one of their Japanese captors saved their lives by throwing them into the pit, where they survived without harm. According to Boyington, the film also shows a crater from a two-thousand pound bomb that landed just fifteen feet from the pit. Due to her fighting heritage, and to honor all carrier sailors and airmen, the Yorktown is on permanent display at Patriots Point in Charleston, SC. Alfred Newman's musical theme originally appeared in Vigil in the Night and was reused in Hell and High Water and in many 20th Century Fox film trailers.
The Battle Of Midway is a 1942 American short documentary film directed by John Ford. It is a montage of color footage of the Battle of Midway with voice overs of various narrators, including Johnny Governali, Donald Crisp, Henry Fonda, and Jane Darwell. When the United States Navy sent director John Ford to Midway Island in 1942, he believed that the military wanted him to make a documentary on life at a small, isolated military base, and filmed casual footage of the sailors and Marines there working and having fun. Two days before the battle, he learned that the Japanese planned to attack the base and that it was preparing to defend itself. Ford's handheld, 16mm footage of the battle was captured totally impromptu. He had been in transit on the island, roused from his bunk by the sounds of the battle, and started filming. Ford was wounded by enemy fire while filming the battle. Acclaimed as a hero when he returned home because of the footage and the minor wound, Ford decades later incorrectly claimed to Peter Bogdanovich that he was the only cameraman; however, Jack Mackenzie Jr. and Kenneth Pier assisted Ford in filming. Ford was worried that military censors would prevent the footage from being shown in public. After returning to Los Angeles, he gave the footage to Robert Parrish, who had worked with him on How Green Was My Valley, to edit in secret. Ford spliced in footage of James Roosevelt, President Franklin D. Roosevelt's son and a Marine Corps officer; when the president saw the film in the White House, he told William Leahy: "I want every mother in America to see this film", thus protecting Ford from censorship. Parrish wrote an in-depth account of the making of The Battle of Midway in his autobiography, Growing Up in Hollywood (1976). The film runs for 18 minutes, was distributed by 20th Century Fox, and was one of four winners of the inaugural, 1942 Academy Award for Best Documentary. Seeing men he had met and filmed die horrified Ford, who said, "I am really a coward" compared to those who fought. He had spent time with Torpedo Squadron 8, and 29 of 30 men of the unit died or were missing after the battle. Ford assembled the footage he had taken of the squadron into an eight-minute film, adding titles praising the squadron for having "written the most brilliant pages in the glowing history of our Naval Air Forces" and identifying each man as he appeared. He printed the result, Torpedo Squadron 8, to 8mm film suitable for home projectors and sent copies to the men's families.
USS Hornet (CV-8), the seventh U.S. Navy vessel of that name, was a Yorktown-class aircraft carrier of the United States Navy. During World War II in the Pacific Theater, she launched the Doolittle Raid on Tokyo and participated in the Battle of Midway and the Buin-Faisi-Tonolai raid. In the Solomon Islands campaign, she was involved in the capture and defense of Guadalcanal and the Battle of the Santa Cruz Islands, where she was irreparably damaged by enemy torpedo and dive bombers. Faced with an approaching Japanese surface force, Hornet was abandoned and later torpedoed and sunk by approaching Japanese destroyers. Hornet was in service for one year and six days, and was the last US fleet carrier ever sunk by enemy fire. For these actions, she was awarded four service stars and a citation for the Doolittle Raid in 1942, and her Torpedo Squadron 8 received a Presidential Unit Citation for extraordinary heroism for its performance at the Battle of Midway. Her wreck was located in late January 2019 near the Solomon Islands.