The Rolling Stones Live In Honolulu 6-28-66 MP3 Download Or MP3 CD
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The Complete Rolling Stones Concert Of July 28, 1966, Performed At The International Center In Honolulu, Hawaii, The Climax Of Their 1966 American Promotion Tour For Their Latest Album "Aftermath", As Recorded By And Broadcast On Radio KPOI-AM And Presented As An MP3 Audio Download Or Archival Quality MP3 CD! (30 Minutes.)
Contents:
01 Not Fade Away
02 The Last Time
03 Paint It Black
04 Lady Jane
05 Mother's Little Helper
06 Get Off My Cloud
07 19th Nervous Breakdown
08 Satisfaction
The Rolling Stones' 1966 American Tour was a concert tour that commenced on June 24 and concluded on July 28, 1966. Two weeks prior to the start of the tour, Mick Jagger collapsed from "nervous exhaustion" and was hospitalized. The last gig of the tour was in Honolulu, Hawaii, and was broadcast on Hawaiian radio station KPOI-FM. This tour was in support of their latest album "Aftermath".
Aftermath is the fourth studio album by the English rock band the Rolling Stones. The group recorded the album at RCA Studios in California in December 1965 and March 1966, during breaks between their international tours. It was released in the United Kingdom on April 15, 1966 by Decca Records and in the United States in late June by London Records. It is the band's fourth British and sixth American studio album, and closely follows a series of international hit singles that helped bring the Stones newfound wealth and fame rivalling that of their contemporaries the Beatles. Aftermath is considered by music scholars to be an artistic breakthrough for the Rolling Stones. It is their first album to consist entirely of original compositions, all of which were credited to Mick Jagger and Keith Richards. The band's original leader Brian Jones reemerged as a key contributor and experimented with instruments not usually associated with popular music, including the sitar, Appalachian dulcimer, Japanese koto and marimbas, as well as playing guitar and harmonica. Along with Jones' instrumental textures, the Stones incorporated a wider range of chords and stylistic elements beyond their Chicago blues and R&B influences, such as pop, folk, country, psychedelia, Baroque and Middle Eastern music. Influenced by intense love affairs, tensions within the group and a demanding touring itinerary, Jagger and Richards wrote the album around psychodramatic themes of love, sex, desire, power and dominance, hate, obsession, modern society and rock stardom. Women feature as prominent characters in their often dark, sarcastic, casually offensive lyrics. The album's release was briefly delayed by controversy over the original packaging idea and title - Could You Walk on the Water? - due to the London label's fear of offending Christians in the US with its allusion to Jesus walking on water. In response to the lack of creative control, and without another idea for the title, the Stones bitterly settled on Aftermath, and two different photos of the band were used for the cover to each edition of the album. The UK release featured a run-time of more than 52 minutes, the longest for a popular music LP up to that point. The American edition was issued with a shorter track listing, substituting the single "Paint It Black" in place of four of the British version's songs, in keeping with the industry preference for shorter LPs in the US market at the time. Aftermath was an immediate commercial success in both the UK and the US, topping the British albums chart for eight consecutive weeks and eventually achieving platinum certification from the Recording Industry Association of America. An inaugural release of the album era and a rival to the contemporaneous impact of the Beatles' Rubber Soul (1965), it reflected the youth culture and values of 1960s Swinging London and the burgeoning counterculture while attracting thousands of new fans to the Rolling Stones. The album was also highly successful with critics, although some listeners were offended by the derisive attitudes towards female characters in certain songs. Its subversive music solidified the band's rebellious rock image while pioneering the darker psychological and social content that glam rock and British punk rock would explore in the 1970s. Aftermath has since been considered the most important of the Stones' early, formative music and their first classic album, frequently ranking on professional lists of the greatest albums.
KPOI-FM (105.9 MHz) is a commercial radio station in Honolulu, Hawaii, known as "105.9 The Wave, Hawaii's Relaxing Favorites." The Pacific Media Group outlet broadcasts a soft adult contemporary radio format, switching to Christmas music for part of November and December. The radio studios are in Downtown Honolulu. KPOI-FM has an effective radiated power (ERP) of 100,000 watts horizontal polarization, 92,000 watts vertical. The transmitter is on Palehua Road in Akupu, amid the towers for other Honolulu-area FM and TV stations.
The Complete Rolling Stones Concert Of July 28, 1966, Performed At The International Center In Honolulu, Hawaii, The Climax Of Their 1966 American Promotion Tour For Their Latest Album "Aftermath", As Recorded By And Broadcast On Radio KPOI-AM And Presented As An MP3 Audio Download Or Archival Quality MP3 CD! (30 Minutes.)
Contents:
01 Not Fade Away
02 The Last Time
03 Paint It Black
04 Lady Jane
05 Mother's Little Helper
06 Get Off My Cloud
07 19th Nervous Breakdown
08 Satisfaction
The Rolling Stones' 1966 American Tour was a concert tour that commenced on June 24 and concluded on July 28, 1966. Two weeks prior to the start of the tour, Mick Jagger collapsed from "nervous exhaustion" and was hospitalized. The last gig of the tour was in Honolulu, Hawaii, and was broadcast on Hawaiian radio station KPOI-FM. This tour was in support of their latest album "Aftermath".
Aftermath is the fourth studio album by the English rock band the Rolling Stones. The group recorded the album at RCA Studios in California in December 1965 and March 1966, during breaks between their international tours. It was released in the United Kingdom on April 15, 1966 by Decca Records and in the United States in late June by London Records. It is the band's fourth British and sixth American studio album, and closely follows a series of international hit singles that helped bring the Stones newfound wealth and fame rivalling that of their contemporaries the Beatles. Aftermath is considered by music scholars to be an artistic breakthrough for the Rolling Stones. It is their first album to consist entirely of original compositions, all of which were credited to Mick Jagger and Keith Richards. The band's original leader Brian Jones reemerged as a key contributor and experimented with instruments not usually associated with popular music, including the sitar, Appalachian dulcimer, Japanese koto and marimbas, as well as playing guitar and harmonica. Along with Jones' instrumental textures, the Stones incorporated a wider range of chords and stylistic elements beyond their Chicago blues and R&B influences, such as pop, folk, country, psychedelia, Baroque and Middle Eastern music. Influenced by intense love affairs, tensions within the group and a demanding touring itinerary, Jagger and Richards wrote the album around psychodramatic themes of love, sex, desire, power and dominance, hate, obsession, modern society and rock stardom. Women feature as prominent characters in their often dark, sarcastic, casually offensive lyrics. The album's release was briefly delayed by controversy over the original packaging idea and title - Could You Walk on the Water? - due to the London label's fear of offending Christians in the US with its allusion to Jesus walking on water. In response to the lack of creative control, and without another idea for the title, the Stones bitterly settled on Aftermath, and two different photos of the band were used for the cover to each edition of the album. The UK release featured a run-time of more than 52 minutes, the longest for a popular music LP up to that point. The American edition was issued with a shorter track listing, substituting the single "Paint It Black" in place of four of the British version's songs, in keeping with the industry preference for shorter LPs in the US market at the time. Aftermath was an immediate commercial success in both the UK and the US, topping the British albums chart for eight consecutive weeks and eventually achieving platinum certification from the Recording Industry Association of America. An inaugural release of the album era and a rival to the contemporaneous impact of the Beatles' Rubber Soul (1965), it reflected the youth culture and values of 1960s Swinging London and the burgeoning counterculture while attracting thousands of new fans to the Rolling Stones. The album was also highly successful with critics, although some listeners were offended by the derisive attitudes towards female characters in certain songs. Its subversive music solidified the band's rebellious rock image while pioneering the darker psychological and social content that glam rock and British punk rock would explore in the 1970s. Aftermath has since been considered the most important of the Stones' early, formative music and their first classic album, frequently ranking on professional lists of the greatest albums.
KPOI-FM (105.9 MHz) is a commercial radio station in Honolulu, Hawaii, known as "105.9 The Wave, Hawaii's Relaxing Favorites." The Pacific Media Group outlet broadcasts a soft adult contemporary radio format, switching to Christmas music for part of November and December. The radio studios are in Downtown Honolulu. KPOI-FM has an effective radiated power (ERP) of 100,000 watts horizontal polarization, 92,000 watts vertical. The transmitter is on Palehua Road in Akupu, amid the towers for other Honolulu-area FM and TV stations.