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The Nazi Cinema Films Of Joseph Goebbels And The Reich Chamber Of Film Which Produced All The Films Of Nazi Germany's Entertainment Film Industry, Presented In The Highest DVD Quality MPG Video Format Of 9.1 MBPS As An MP4 Video Download Or Archival Quality All Regions Format DVD! (Color, 1992, 49 Minutes.)
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On May 27, 1939, Joseph Goebbels wrote in his diary "Films in the evening: 'Mr. Deeds Goes To Town'. Marvelous stuff from America with Gary Cooper. Wonderfully made, beautifully acted. I am delighted." At the time Goebbels wrote this, he was one of the most dangerous men in the world. As Germany's Minister Of Propaganda from 1933 to 1945, he was The Third Reich's version of the studio bosses who ran Hollywood in those days. But unlike Louis B. Mayer or Darryl Zanuck or Jack Warner, Goebbels was not interested in winning Oscars or making a killing at the box office -- to him, film was the most powerful weapon in the Nazi Party's arsenal -- and how he used it is part of this documentary's story.
Includes commentary by Nazi Filmmaker Fritz Hippler, Goebbels attache Wilfred Von Oven, Film Director Arthur Maria Rabenalt, Film Critic Dr. Hans Feld, Actor Rudolf Klicks, Actress Margot Hielscher, Secretary To Goebbels Brunhilde Pomsel, Actress and Goebbels' Mistress Lida Baarova, Filmmaker Leni Riefenstahl, German Foreign Office Diplomat Hans-Otto Meissner, and Actress Kristina Soderbaum,
Features the films HITLERJUNGE QUEX (Hitler Youth Quex) (1933), ES LEUCHTNE DIE STERNE (The Stars Are Shining) (1939), DAS HERZ DER KONIGIN (The Heart Of The Queen) (1940), PATRIOTEN (The Patriots) (1936), SOS EISBERG (SOS Iceberg) (1933), TRIUMPH DES WILLENS (Triumph Of The Will) (1935), SOLDATEN VON MORGEN (Soldiers Of Tomorrow) (1941), DER EWIGE JUDE (The Eternal Jew) (1940), DER GROSSE KONIG (The Great King) (1942), OPFERGAND (The Great Sacrifice [The Rite Of Sacrifice]) (1944), JUD SUSS (Suss, The Jew) (1940), MUNCHHAUSEN (1943), And KOHLBERG (1945).
Nazism And Cinema: Nazism made extensive use of the cinema throughout its history. Though it was a relatively new technology, the Nazi Party established a film department soon after it rose to power in Germany. Both Adolf Hitler and his propaganda minister, Joseph Goebbels, used the many Nazi films to promote the party ideology and show their influence in the burgeoning art form, which was an object of personal fascination for Hitler. The Nazis valued film as a propaganda instrument of enormous power, courting the masses by means of slogans that were aimed directly at the instincts and emotions of the people. The Department of Film also used the economic power of German moviegoers to influence the international film market. This resulted in almost all Hollywood producers censoring films critical of Nazism during the 1930s, as well as showing news shorts produced by the Nazis in American theaters. The exception was Warner Brothers, the lone American production company without a partnership with the Nazis. The company had pulled out of Germany in 1934, after one of its Jewish employees was assaulted in Germany.
The Reich Chamber Of Film (Reichsfilmkammer, abbreviated as RFK) was a government agency which operated as a statutory corporation controlled by the Ministry of Public Enlightenment and Propaganda that regulated the film industry in Nazi Germany between 1933 and 1945. Membership in the association was obligatory for everyone in the German Reich who wanted to work on films in any capacity; lack of membership meant in effect a ban on employment. Based in Berlin, the establishment of the RFK was an important element of the Gleichschaltung process and Nazi film policy.